go to...
Quick Index

FCP (Final Cut Pro) was designed as a general purpose editing software which could run with a variety of hardware or even with an off-the-shelf Mac.
Unlike other editing software like Avid Media Composer or XPress and like Adobe Premiere, FCP can work with almost any frame size and frame rate. So it's necessary to specify this each and every time you start a project or create a sequence.
It's also necessary to clearly specify what kind of video you're capturing, so FCP knows what to expect.

Unlike earlier versions of FCP like ver. 1.0.1 or 1.2.5, FCP 2.0 and FCP 3 have greatly simplified this settings thing and users have fewer problems than the past.

And then just when you think you've conquered FCP, setting up effects, and deleting media files gets you.

Most users can read just this section and safely ignore the rest of the page.

Case 1. DV only input and output

You're shooting DV in a Sony camera, capturing with the same camera, editing, then dumping the final edit back to the same camera.

Connect the camera. Switch it ON and set it to VTR or Player.
Start FCP. Start a new project.
Go to Edit > Easy Setup. Select DV-PAL.
Create a new bin. File > New > Bin.
Call it something like "Rushes" or whatever. (You can type the quotes if you like and you can even call the bin "whatever") ...

Go to File > Log and capture. The Capture window opens. Name the tape. Play it search what you want to capture. Capture by marking in and out and logging, or capture "on the fly" by clicking on Now.
By default, Video and 2 audio tracks are captured. But if you don't need the audio, go to the "Clip settings" part of the Log and Capture window and select Video only, Video+Audio, or Audio only whatever you need.

After capturing, Make a new sequence. Since you've selected DV-PAL as your easy setup, all the necessary settings have already been made for you. Now edit away.

If placing a shot from what you've captured into the timeline, makes that shot unrendered, meaning you need to render just to see shots play in a timeline, then your sequence settings are wrong.

Case 2. Capture card

You're using a capture card to capture from, maybe an analog source and also to output to monitor and to tape. Examples would be RT-Mac, Aurora Igniter, Targa Cinewave etc.

Start FCP. Start a new project.
Go to Edit > Easy Setup. Select the setting that's recommended for your TV standard and card. For e.g., with a Cinewave and in India you would choose Targa Cine YUV as our easy setup.
Create a new bin. File > New > Bin.
Call it something like "Rushes" or whatever. (You can type the quotes if you like and you can even call the bin "whatever") ...

Go to File > Log and capture. The Capture window opens. Name the tape. Play it search what you want to capture. Capture by marking in and out and logging, or capture "on the fly" by clicking on Now.
By default, Video and 2 audio tracks are captured. But if you don't need the audio, go to the "Clip settings" part of the Log and Capture window and select Video only, Video+Audio, or Audio only whatever you need.

After capturing, Make a new sequence. Since you've selected Targa Cine YUV as your easy setup, all the necessary settings have already been made for you. Now edit away.

If placing a shot from what you've captured into the timeline, makes that shot unrendered, meaning you need to render just to see shots play in a timeline, then your sequence settings are wrong.

I've stated the Easy setup as DV-PAL as I'm from a PAL area. If you are NTSC select NTSC wherever I've stated PAL.

And even if you are in a PAL country, if your camera is NTSC you still need to select NTSC.

Ditto for if you are in the US but your camera is PAL, you still have to select DV-PAL.

I've taken Targa Cinewave as an example. If you have an Aurora Igniter, look for the corresponding setting for what you are trying to capture.

For the Matrox RT Mac, you need to make this selection based on what you card is connected to. Meaning S-video or composite.

Levels of Undo: make it 10 for general editing, 20 when doing effects, and 5 or less when just making dumps to tape or whenever you're not going to be experimenting much. Remember more the undos more the memory used.

List Recent Clips: 10 is fine, but can be increased while editing.
 

Automatic Save Every: Deselect this. Just get into the habit of saving every 10-15 mins. While capturing and dumping to tape, definitely deselect this. If you have to, set it to 30 mins.
 

Multi-Frame Trim Size: I like 5.         But set to taste. 
 

Real-time Audio Mixing: Set to 4. Unless you need more (rhymes well !) This also hogs memory. 
 

Render Ahead: Deselect. Doesn't help. Just slows everything down.
 

Still Image Duration: 10 sec is fine. Unless you're importing stills that you plan to use for more than 10 sec.
 

Preview Pre-roll and Preview Post-roll: Set 5 and 2 sec. This is not preroll during capture, but pre-roll when you press the "Play around current" button.
 

AutoSync Compensator for movies: This doesn't affect capture but seems to work for long clips captured with certain cameras. Check if you need it else deselect it.
 

View External Video Using: Apple Firewire PAL. OK This is the big one. If you select Apple Firewire PAL then you can see whatever you're seeing in the Canvas, through the Firewire cable into your camcorder screen, or in an TV or monitor connected to your camcorder or deck. 
If you set this to "None", you see nothing in the external monitor via camcorder or deck. And ... even if you set it to Apple Firewire PAL it just goes back to none if you start FCP with your camcorder or deck off. 
So if everything's connected nothing's coming. Then look at this setting.
 

Mirror on desktop during Playback: Select. This is big one no. 2. If you select you'll see video on the Mac monitor and through Firewire. If this is deselected, the picture on the Mac monitor is frozen, and the one through Firewire moves when you play.
 

Mirror on desktop during Print to Video: Deselect. This opens a window on the Mac monitor that shows whatever is going to tape. Not very useful.
 

Pen Tools Can Edit Locked Item Overlays: Deselect, unless you can find a use for it.
 

Show ToolTips: Newcomers Select, old hands deselect.
 

Linked Selection: Newcomers Select, old hands deselect. Whenever select or cut or trim a video clip, the accompanying audio also gets equally modified. Just can't edit that way.
 

Snapping: Select when you're moving entire clips around in a sequence and you want them to sit exactly at a cut point. Deselect if you don't. Switch on and off by pressing "N" anytime. (Need not be capital "N")
 

Fit Full Size: Deselect unless you can find a use for it. What it does is if you import something that's smaller that your full frame size, it will be automatically scaled up to full size for viewing.
 

Visibility Warning: Newcomers Select, old hands Deselect. This shows a nag screen whenever you switch track visibility after rendering.
 

Report Drops: Deselect unless you're checking out your system.
 

Thumbnail Cache (Disk)  : 512 K is fine unless you can find a good reason to increase or decrease it.
 

Thumbnail Cache (RAM) : 256 K is fine unless you can find a good reason to increase or decrease it.

"Select" means there's a box where you have to click and a cross appears. Americans call it "Check".
"Deselect" means you click and remove the cross in the box. Americans call this "Uncheck"

And when they pay you, they call that a "Check" too as also the bill in a restaurant.

First thing on the top left in this screen.
 

Enable Device Control: Select. Unless you're capturing with an analog card from a VHS deck or a device that can't be controlled by FCP. Also if you're capturing only audio from the audio in of your Mac you need to deselect this so that FCP doesn't expect to control the device that it is capturing from.
 

Protocol:Apple Firewire for most DV camcorders or decks. Else select Apple Firewire Basic. If you have a Keyspan Adapter or Stealth Port and an RS-422 cable connected to a Beta or DVCAM deck, select RS-422. If you don't those options don't show up. 
 

Time Source: DV Time for most DV camcorders or decks. 
 

Port:For DV this is greyed out and can't be used. 
 

System:PAL unless you're in NTSC or SECAM land.
 

Use Deck Search Mechanism: For DV this is greyed out and can't be used.
 

Pre-roll:3 sec unless the shot you're trying to capture is too close to a time code break or reset. In that case make it 1 sec. 
 

Post-roll:1 sec. Means how much the tape will continue playing after a clip has been captured.
 

Timecode Offset: For DV 00:00:00 is fine. For Beta through RS-422 you may have to find out and set this.
 

Handle Size: Keep this 00:00:00:00 as well. 
 

Playback Offset: Keep this 00:00:00:00 as well. 

If you are using a DVCAM deck that has a RS-422 port, then better get a Keyspan USB-serial and serial - RS-422 cable and control the deck with RS-422. It works better that way rather than use Firewire to control the deck.
For Betacam this is the only way to control the deck and receive Time Code.
For Betacam Time source should be set to LTC or VITC or LTC+VITC depending on which you want to use.
For DVCAM through RS-422 use LTC
 

Pre-roll can be set to 2 sec if your deck gives you no problems. For batch capture of hundreds of DV clips this saves time.
So does reducing the Post-roll to 1 sec.
 
 

Handle size more than 0   makes things confusing. You can always set handles while capturing anyway.

Playback offset more or less than 0 is needed if you find the deck misses some frames or repeats some frames at the start of each "Edit to Tape".

This is where you set the settings for the sequence (the edit) you will be working on. You can make these settings whenever you make a new sequence. These settings have to match exactly the setting of all the video you capture. Else, your sequence will not play.

On the left you see the presets (a set of settings) that come as standard with FCP. You can create your own as well. But if you plan to work with DV, select DV PAL from the list.
 

If you are planning on working with DV only, you can also click on DV-PAL in the left box and then on the "Set default" button. Also, if you're sure you're not going to need the other presets - like "Targa 640x480 PAL" "~EXPORT Lossless 24 bit" and others, click on them one by one and Delete them - by pressing on the "Delete" button.
 

here's a box at the bottom that says "Prompt on new sequence". Select this (means click till the cross appears) so FCP will always show this screen whenever you make a new sequence.
 

On the right is a list of you settings. See if they match your capture settings.
 

If you are working in DV PAL the box on the right should read

There are other lines present but I've omitted them as they are not critical.
 
 

Edit > Preferences > Sequence Presets > Sequence Settings > General
 

If any of the above lines don't tally with the settings you have used for capturing video - in Edit>Preferences>Capture Presets, you can change these by clicking on the setting you need to change in the left box - say, "DV-PAL" and then clicking on Edit.

This takes you to the "Sequence Settings" window where you can make the necessary changes. For working in DV, set "PAL DV (5:4)" "Lower(Even)" and PAL - CCIR 601/DV"

Check the "QuickTime Settings" on the right and click on Video and Audio if you need to make changes. 
 
 

Edit > Preferences > Sequence Presets > Preset Editor > General > Video
 

Set as in Capture settings
 

Edit > Preferences > Sequence Presets > Preset Editor > General > Audio
 

Set as in Capture settings
 

Edit > Preferences > Sequence Presets > Preset Editor > Timeline Options
 

Here you setup what your timeline looks like. These settings are set to taste.My favourites are ...

Starting Timecode : 01:00:00:00 normally, and set to some other value if I need to "Edit to tape" at a certain point on tape. More on that later.

Track Size : Small

Thumbnail display : None. Uses memory.

Audio track labels : Sequential (A1, A2, A3, A4)

Show filter and motion bars : Yes

Show keyframe overlays : No 

Show Audio waveforms : No
 
 

Note that some of these settings can be changes in the timeline window as well with the help of the small buttons at the bottom of the screen.
 

This where you set up where your video goes. Very important. For you and FCP to know where things are located. And for you to be able to clean up your disks after a project is complete.

First off, deselect the "Capture Video and Audio to separate files" for DV. I used to work with video and audio to separate files but it got too confusing and I didn't see much of an advantage over "combined" files.

What you do after that depends on how many hard disks you have.

Say you have only one hard disk.

Then you go out and quickly buy another one. A 20 GB costs about Rs 9000 so there's no excuse for working with just one hard disk. FCP works better when you capture to the drive that doesn't have the MacOS and FCP loaded on it.

So then you have two hard disks.
 
 

Then in the first line of the Scratch Disks screen select "Video"

In the second line select "Render"

Then on the right press "Set"

In the window that opens, set select the drive that you want your captured video to go to. I usually create a new folder called the project I'm working on and select it as the place for video files to go to.

So also for "Render"

Remember this settings "stays" Means if you open a project ,make this setting, then capture video to a specific folder, then close that project and open another, then in that project too video goes to the folder last set.

So it's a good idea to make these settings every time you open a new project or even switch projects.

Keeps everything organised, and you know what is where.
 

Just a recap into clips and QuickTime files or media.

When you capture a shot to hard disk, a QuickTime movie file is created on your hard disk. You don't actually see this file in FCP. You see a "clip" in the browser. The "clip" is not the actual shot or QuickTime movie, but only a graphical representation, a sort of a shortcut to it.
The "clip" in your browser contains information about which tape the shot came from, what is the start and end time code, Audio and Video format etc. And this clip in the browser window takes up very little space on your hard disk.
But the "invisible" QuickTime movie on your hard disk is what contains the actual video and audio. And this is what takes up space. Over 1000 MB for every 5 mins worth of DV tape.
So, if you delete the QuickTime movie in the hard disk (not while running FCP, please) the "clip" in the browser will play as "Media offline". But because the clip contains all the info about where it came from, you can automatically recapture it from your original tape. So deleting QuickTime movies from hard disk is the only way to make space on your hard disks. Don't bother deleting clips in the browser.
Conversely, if you delete a clip in the browser, the QuickTime movie it refers to, will remain and hog disk space. This QuickTime movie is now an "orphan" file.
So, never delete clips without also deleting the QuickTime movies they refer to.
 

So, in the Edit > Preferences > Scratch Disks if you have been very particular to select the right capture folder for the right project always, you can safely delete all files present in that project's capture folder after that project is over and done with. 
 

Don't bother deleting clips in the project browser window, or even sequences or the whole project for that matter. The QuickTime files outside are where the meat is. 

go to Quick Index